Instruction: What is Animation Vocalization

Response:
Animation vocalization is the articulation of events of animals, plants, inanimate beings and it is an art in its own right. The animation sound does not only depend on sound capability. This work is done by the person who will perform the work and the actors forget that this is a voice actor. On the other hand, the animation can be up to the number of characters in the voice of a film. This shows that this process is not very easy. The ability to improvise with imagination as well as the technical knowledge and memorization ability of the person to do this is important for a successful voice-over. Animation voice actors, as we are familiar with the master artists, but you do not hear the name of the sound, but you may also like people very liked. The real thing is that the sound is integrated into the role and something fun comes out. In order to be able to animate animation, there is a need for both personal skills and technical equipment.
There is a need for a studio environment to make vocalization. The character you use and the words you use will be available in writing. Between the studio and the figure to be spoken, a screen, a microphone, and headphones are used to help us more regularly. We hear the sound of what we're doing by listening through this headset, adjusting the finish tones and following the script and voice. The trick is to provide a comfortable dubbing without pinching the abdominal muscles called the diaphragm.
The film can be native or foreign, so it can be done by looking at the translation of a foreign animated voiceover film. In the script, the words cried, delighted, and the sound level and shape of your choice are determined by your choices. Sounds are not thought to be exactly the same, so the same sound and gestures to capture the nearest sound level are made by trying to remove the correct sound. On the one hand, you can follow these figures on the screen, while on the other hand, you control your own voice by the sound of the headphones. A little improvisation is a difference between languages. Because language is influenced by the environment and the structure of societies. The same words can be interpreted differently for these reasons.
Animation what should be the person to speak?Above  Animation voice we have stated that the job is not a simple job, it passes through many stages. Ability is also important but alone is not enough. As in every job, the key to success in this business is to love and embrace this work. If possible, knowing a few languages will not be bad. This knowledge will help a lot in interpreting the emotions from the foreign language and interpreting the emotions. Because the animation is more appealing to children, it is important for the speakers to reflect the emotions of being a cheerful, loving and loving adventure.
Since Pixar Animation Studios released “Toy Story” in 1995, the first entirely computer-generated animated feature, animation movies have taken the world by storm. Apart from being highly innovative with incredible images, “Toy Story” had a good storyline, great dialogue, and fantastic voice acting which conveyed the unique personality of each character to perfection. Proof that one of the key factors in all animations lies in the dubbing and voice acting, which can essentially make or break the success of the film. As such, it’s not surprising that many of these animated movies feature the voices of leading Hollywood actors who earn big to depict the main characters.
It’s hard to believe that  Old Kentucky Home, a short animation film released in 1926, was the first film to have synchronized sound with animated dialogue – that’s almost ninety years ago! Since then, many animation movies have made it to our international screens with content targeted at children having pioneered the popularity of dubbed animations for the most part. This company Haymillian works with a number of clients in translating and dubbing media content, and of late, we’ve witnessed a growing rise in the number of animated programs that we are being asked to dub. The traditional animation genres combined with children's edutainment have brought even more dubbed content to our TV screens.
Children’s Edutainment & the Rise of Animation Dubbing
The long-running children’s TV series, Sesame Street, was the first preschool educational television programme to base its contents and production values on laboratory and formative research; it first hit our TV screens in 1969. Over the years, and especially in the last decade or so, the rise of children’s edutainment programmes, such as VIPO the Flying Dog, Dora the Explorer, Barney, and Friends has given an additional boost to the international dubbing industry. Moreover, we have seen an increase in the availability of foreign animations dubbed into English across high profile networks.
Some countries like France, Germany, and Italy almost exclusively dub and have a thriving dubbing industry where the viewers prefer to watch Hollywood content dubbed in their own language. It is not that they don’t particularly understand English, but they enjoy it more in their native language. They even have their own dedicated voice actors who are the only voices that represent Hollywood stars such as Sean Connery, Bruce Willis or Cameron Diaz.
Independent of this preference, most countries require that any content addressed to viewers up to 12 years old be dubbed, or to at least present a choice of dubbed and subtitled content to choose from. For this audience, in particular, subtitling doesn’t work unless an adult is beside the child to explain to them what’s happening. In this case, dubbing is a logical solution that allows children to fully enjoy their film, independently.
A Standard Dubbing Process for Animation
Dubbed content gives audiences access to some of the best media from around the world in a language they understand while offering more variety. However, dubbing is a difficult job and comes with many challenges. For the dubbing translator, the timing of sentence length and the number of syllables used is of paramount importance so that the dialogue matches the on-screen lip movements. However, no two languages are the same and where one syllable is used in English; its translation into French may require two or three syllables. This is where the dubbing translator needs to be skilled and creative without losing the message or storyline of the original creation.
In animation dubbing, it can be extremely tricky to find the right voice actor that will animate each character, convey its personality and create the illusion that the character is indeed talking! Essentially, what is done is recreating all aspects of the original version of the film into a foreign language.
Translation – The first step of any foreign dubbing process lies in the translation. During this stage, the translators work on the text and the message to create the foreign version. This is more of an art than merely a direct translation process. It can be compared with translating a book.
Adaptation – Once the translation finished, the director and his team of translators start adapting the material for recording. This may include matching the labials to editing for optimum text length.
Casting – Most of the time the casting of the actors is carried out in parallel to the adaptation process. Depending on the budget, the dubbing studio may test actors from its own database or perform a larger casting and tests. If your animation has a celebrity voice with an approved voice talent in your target territory, then your studio will have to commission their services separately.
Directing and recording – When the adaptation and the casting are approved, here is when really the fun begins! Actors recreating their character under the guidance of the director and recording of the lines. This is a very laborious and difficult process, as apart from acting, they must be familiar with lip-syncing techniques. Depending on the country this can be rhythm band, sound sections, beeps, etc.
Mixing – This is the final step of the dubbing process. Depending on the requirements of the client, the studio may need to do full video, M&E and audio mix, including graphics edition or M&E and audio mix. This is where the skills of the sound engineers working on the project are put to test.
Once we are completely satisfied with the outcome, the foreign adaptation is delivered to our client.
Worldwide releases are now a reality for major Hollywood productions and popular series where anyone, in any country, can view the same content, at the same time. Global release cycles, create the need to localize content to reach a global audience within extremely tight launch windows. These short time frames within which original content can be localized pre-worldwide launch brings huge technical and creative challenges.
Animation is easy to get into but difficult to master. There are as many styles of animation as there are animators, and starting with a short film is a great way to practice animation techniques as you develop your "autograph" style. Just like any other film, animation takes time, patience, and a lot of planning to get right, but anyone with a computer can make an animated short film
Write out a script. This is often easier said than done, but you need to write down your ideas clearly and give them structure before you start working. Unlike in live-action, it is almost impossible to "improvise" an animated film, as it simply takes too long to animate everything.A theme. What is the "point" of the short film? This doesn't need to be grand, profound, or complicated. It can be anything from "the loss of childhood innocence,"" or "boredom is a state of mind,"" to "I want to make people laugh with this joke."" Think of it as a guiding principle for your film. Characters. What will hold the attention of your audience? This can be anything from a person or an animal to a squiggly line.Visuals. Where does the short take place? What's the mood, or atmosphere? A screenplay needs to tell the story of the short in full so it can be used as a blueprint for future work. A beginning, middle, and end. This sounds obvious, but that's the point -- almost all stories are told in three specific, delineated parts, or acts. This doesn't mean you must have a three-act story or even "characters."" You do, however, need to think out the "action" of the short film before moving forward.
2. Sketch character models. Before starting to animate, you need to know what your characters are going to look like. Sketch them in a variety of poses, costumes, and expressions to get a feel for what they will look like. Remember that a character can be anything in an animated film, from a bear to a pair of salt & pepper shakers. Still, you want to develop your characters ahead of time so that they look consistent when you animate them.
3. Draw up a storyboard. Storyboards are individual drawings for every bit of action in the script and are used in the production of almost every film -- animated or otherwise. They are both simple and comprehensive, as you need one for every change you want in the film. They do not, however, need background detail or color, unless it is essential to the story. You can find and print a variety of free storyboard templates online, or draw your own. Each frame of the storyboard has two parts:
The Image: In a rectangular box, draw the principal action of the shot, ignoring background images for now. You can also draw notes or arrows to indicate movement.The Dialogue. Underneath the shot, write down what needs to be said in the shot, the proposed length of the shot, and any effects.
4. Import your storyboard into a filmmaking program, saving each frame individually. Once you have your shots planned out, import them into your computer. Make sure to name them appropriately. When you're done, import them all into your film editing software and put them in the correct order.
Adobe After effects or Premier are considered the industry standards, but you can use whatever program you are most comfortable with.
5. Use your storyboard to make a timed slideshow or animatic. Animatics are the rough cuts of animation, they get the pace and rhythm of the short together and allow you to get the timing right for your final short. This sounds complicated; however, they are really just slideshows with proper timing. Put the images of the storyboard in order on your editing software and extend, cut, and play with them until you have a "rough" cut of the final film.
Almost all animated movies are made into animatics first. Otherwise, you risk spending hours fully animating a scene that needs to change, get longer or shorter, or get deleted.Review your animatic as if it were the final film. The final animatic should tell the full story of your film, minus the trappings of color, backgrounds, and details.If you are knowledgeable of video editing, you can add pans, zooms, and transitions right now to test them before your final editing.Consider purchasing a tablet. Tablets are small computer pads that come with an electronic pen, allowing you to "draw" straight into your computer. Drawing well with a mouse is nearly impossible, and unless you plan on small projects or stop-motion work, you will almost definitely need a tablet.
Animating your Film (Production)
1. Determine your animating medium. This usually depends on your expertise and hardware. For example, it is very difficult, if not impossible, for a beginner with an older computer to make 3D animations like Pixar. There are many, many animating software and styles, and all of them have intricacies and techniques unique to the software.
2D Animation: This is the classic cartoon, hand-drawn look. The characters are flat line drawings. Originally, they were drawn frame by frame, but now there is a variety of software that makes the process much faster, such as Synfig, Pencil2D, ToonBoom, or even Adobe Photoshop. Traditionally, you use 12-24 drawings per second of film.3D Animation: Similar to the models used in video games and movies like Toy Story and Shrek, 3D animation is much harder to master. You make models of the characters and code movement into them, making 3D animation a sort of artistic/coding hybrid. You also need to add lighting and textures. 3D software can use, yet it takes a long time and requires software like AutoDesk, Poser Pro, Aladdin, or Sketchup. Most 3D animation is the result of large teams working together.Stop-Motion: So simple anyone can do it, stop-motion is when you use real-life figures or drawings and take a picture after every small movement. When the pictures are played back to back at high speeds, it looks like movement. It is incredibly time-consuming, however, as you often need upwards of 12 photos per-second of footage to make it look smooth. You can use cut-outs, clay models, individual drawings, or real people to make it.Rotoscoping: A niche form of animation found in films like A Scanner Darkly, rotoscoping is animating on top of conventionally shot films. You will need a tablet, and you go through the footage frame by frame, using the live video as a guide for drawing the characters. The result is a realistic, but still animated, look.
Draw out your backgrounds. Start with your settings, as the characters are superimposed on them. The background should be everything that the characters do not interact with, as anything that moves needs to be animated. The background should be a big drawing and scanned in at high resolution. This allows you to "zoom in" on certain sections without distortion. For example, if you have two characters talking in a cafe, you want to draw the whole cafe behind them. But you may want the "camera" to focus in on each character as they talk individually. Instead of redrawing the background behind him, you can copy and paste a smaller section of your detailed background for "close-ups"".
Sketch, model, or design your "key poses."" What are the essential poses of your characters, or defining actions each one makes, in the scene? Think of these as the "destinations" for each piece of movement. Draw out the "in-between" frames. Take the punch for example -- how do you get from key to key? There is some advanced software that will do this for you -- once you've made character models, the software will "render" the movement in between for you. However, if you are just starting out, you'll likely need to draw your own frames by hand. The more frames you draw, the smoother the action will look.It can help to put your keyframes on the screen as guides. This helps you see where you need to get the characters, and where they started.If something doesn't move, don't bother re-drawing. Copy and paste the keyframe erase the part that needs to move, and keep everything else where it was.Composite the footage. Composting is just a fancy way to describe stringing the movie together. This can be as simple as ordering all the frames for stop-motion or as complicated as rendering a 3D model with accurate lighting. Again, your method of animation will determine how you composite something.
For 2D animators, compositing is about making the motion looks smooth. Software like ToonBoom will do this for you, and maybe called "rendering.""For 3D animators, know that this takes a long time. Lighting effects and textures are difficult to program, and even the fastest computers may take hours to composite a video.For stop-motion animators, you should play with frame length, adjusting the shots by a tenth or hundredth of a second to get smooth, fluid motion.
Finishing Your Film (Post-Production)
Record any dialog for the final movie. Now that you have the nearly-finished animation, it's time to get the vocals just right. Your voice actors can see the final scene, their characters' expressions, and the timing you want in your final shot. This allows them (or you) to deliver the best vocal performance.Note that, at this point, any changes to the animation might be very time-consuming to make. This is why careful pre-production is essential to an animated film of any length.Add in sound-effects where appropriate. Sound effects should come after the voice actors, and tuned to the appropriate volume where they don't overpower the dialog. There are some exceptions to this rule, of course. For example, if there is an explosion the characters need to react to, it may be best to put it in first, before recording dialog. This helps the actors out with reactions.Sound mixing is an important, and subtle, an art form. Invest in a good pair of headphones and/or speakers to fine-tune all the volumes correctly.Cut the film into your final vision. Now that you've got the whole movie together, how does it hold up? The chances are that some of the transitions feel clunky and a scene or two goes longer than it should. Just like you would edit any live-action film, you need to turn a critical eye to your animated piece and polish it until it sparkles. While there is no "correct" way to edit a film, there are a couple of principles to keep in mind:Do any scenes feel quick and essential? Do you feel engaged the whole time? Does a specific line or shot help move the story or theme along? If the answer to any of these questions is no, start trimming. Oftentimes the first and last lines of dialog are inessential, as jumping straight into/out of a scene is usually more engaging. Every frame counts when editing.Watch the film with someone who is distant from the project. Were there parts they got bored? Did anything confuse them or need more time? How can you cut and trim your story to make it as gripping as possible?How does the scene flow together? Sometimes 2-3 seconds of background footage helps the viewer catch their breath and dive into the next scene before dialog starts. Add your polishing touches, like effects, transitions, and color correction. For example, if you want an old-time, sepia tint to your movie, add it last. These sorts of small changes are unnecessary while you are trimming, cutting, and building your movie. Moreover, they will be useless if you cut the scene or change the color scheme. All these minute touches need to come last, once you're sure the "meat" of the movie is done.Add wipes, dissolves, or fade-ins to the scene transitions.Add any filters or effects over the finished footage.Add titles and credits to the beginning and end as necessary, at the very end.
6 Common Audio Recording Issues and Questions Expounded


Instruction: 1. Should vocals be mono or stereo

Context: Learning resources on media production, voice acting and audio-visual translation, dubbing, subtitling and transcriprion

Response:
There may be a case for recording the great Satchmo in stereo, but otherwise, there is little point in recording a normal pop/rock/hip hop vocal in stereo. The mouth is effectively a point source and can be recorded as such. A single microphone, resulting in a mono recording, will do just fine
2. Stacking the Lead Vocal
The amount of stacking can also change based on a particular part of the song. Typically, you stack more on the chorus than the verse – but stacking is common on both. ... It will sound warmer and fuller but not quite as crispy or intimate as a well-mixed single lead performance


Instruction: 3. Do microphones record in stereo

Response: Recording is a technique involving the use of two microphones to simultaneously record one instrument. The mono signals from each microphone are assigned to the left and right channels of a stereo track to create a sense of width in the recording.


Instruction: 4. Why does my voice sound bad when recorded

Response: It's because when you speak you hear your own voice in two different ways. The first is through vibrating sound waves hitting your eardrum, the way other people hear your voice. ... Then when you hear a recording of your voice, it sounds distinctly higher


Instruction: 5. Why does my voice sound higher when recorded

Response: When you speak, your vocal cords create sound waves that travel through the air to reach your inner ear. ... This means that your voice usually sounds fuller and deeper to you than it really is. That's why when you hear your voice on a recording, it usually sounds higher and weaker than you think it should


Instruction: 6. How do you remove white noise from audio

Response:
Just record some audio with Audacity and don't say anything into your mic. Let it go for a couple of seconds (thirty at most) for best results. Once you have your white noise recorded, select it using your mouse. Then go into the “Effect” drop-down menu and look for the “Noise Removal”
Sound is undoubtedly one of the most crucial parts of any and every film, which is responsible for enhancing the complete feel of the film. The audience is going to react following the kind of music that is added in a particular film sequence. Music helps in providing continuity so that any cut in the film looks normal and smooth. It is not easy to record or mix music for your films. But if you know music lessons and certain important and quick tips, it is going to be extremely easy for you
7 Tips To Mixing High-Quality Audio-Visual For Your Film
1. Choosing the mixing software
There is no denying the fact that there are numerous digital audio workstations that you have the option of selecting from. However, it is entirely up to you to understand and decide which digital audio workstation is going to be ideal for you. Ensure that you are gaining knowledge about your software in an extremely intimate manner. Any savvy mixer not only keeps sticking to his DAW but also knows every function. Ensure that you are not cheating on your digital audio workstation. Remain true to it and reap all the essential benefits.
2. Setting up the audio mixing session
Most of the digital audio workstations are responsible for providing nifty templates if you do not know how you should start. For instance, Pro Tools is responsible for including the ‘Rock’ template, which is capable of setting the session with different tracks for the following:
DrumsBassOrganGuitarEmpty tracks to record something.Click trackPre-routed headphone mixReverb returnChorus returnDelay return
This indeed is one of the basic mixed templates, but you can choose from the other template options as well. If you are unable to find the template that is apt for your film, it is a good idea to create your very own template. Making a template on your own is one of the greatest steps associated with developing a mixed style. It is ideal for booting the computer up as well as starting interesting mixes right from a single scratch.
3. Don’t forget to invest in good headphones
If you discuss with any reputed audio engineer, you will come to know that having a good set of headphones is necessary. Without an ideal set of headphones, it becomes impossible to review the audio that you are creating. Therefore, you must invest in good headphone sets before you progress with audio mixing. It is also suggested that you get hold of good and branded speakers so that reviewing the audio becomes easy. It can also detect unwanted mix easily.
4. Name the tracks and color code the track groups
Naming the tracks may sound simple, but in 3 months, you are going to forget about the tracks if you have named it ‘Audio track 10’. If you are recording lead guitars, ensure that you are doing yourself a big favor and naming it ‘lead guitar’ before you are hitting on the record option. The process of poor naming of the individual tracks will be responsible for leading to puzzles and confusion, and you will also have to spend more time figuring out what is what. It is also suggested that you focus on color-coding the tracks. You have the freedom to choose any color that you want. But it is suggested that you make every drum track yellow, the vocal track blue, and the guitar tracks green. This will help in numerous processes that include busing and also help you to track different layers of the session. It only takes around two minutes to color-code appropriately. It will help you to save time so that you can concentrate on the other aspects of recording and mixing music.
5. Cut the fuss. Use a bus
Try to picture a red bus in your head, and now, picture it with different sounds. This is exactly what a bus will be in any mix. When you send numerous sounds to a single track, you have the opportunity of applying these processors to all of them at the same time. You can also try this on a drum bus. This helps in processing all the sounds of the drum as a single unit. Make sure that you are treating them with a similar reverb to provide the perception that they belong to a similar space. You also have the option of setting up a compression or delay bus. It is suggested that you keep experimenting with all the different sounds, and decide which sound has to be sent to which bus. You are going to receive guaranteed results. An important thing that you should keep on your mind is to make sure that you are committing to appropriate sounds. This will help you to avoid tweaking endlessly later on.
6. Planning on panning
Most people do not have a proper understanding of panning. Panning is responsible for controlling the width of a particular mix. It is the left breadth to the right breadth of stereo fields. Panning helps in the proper placement of the sounds within your mix in an ideal manner. The placement can be either in the left or the right of your stereocenter. It is advised that you keep the lower or the heavy sounds towards the center, which means the kick or the bass. You have to make them the centering forces, around which you can work easily. If you pan everything centrally, you will discover that the mix is sounding flat and crowded. Therefore, you need to remain careful when you are panning.
7. Basic audio filtering
You need to have sound knowledge about the basics associated with mixing. Just like numerous other processes, every person has various opinions, and this is true, especially when it comes to audio mixing. However, certain essential basics of mixing should be followed by almost everyone. One crucial basic knows the appropriate mix, which you should be working with. You need to have a proper understanding of the textures that you are looking forward to getting within your track. You need to understand the space that you will be responsible for creating. Know if you want it to be punchy and upfront, reverberant and distant, etc. You need to concentrate on enhancing the character of each sound when you are in the recording stage. You always need to keep the bigger picture in your mind when you are choosing and recording the initial sounds. Ensure that you are pushing the original recordings without processing in a substantial manner. You have to start understanding where you will be heading for your final mixdown. Make sure that you are only committing to perfect sounds so that you do not have to keep tweaking it later on.
Final Thoughts
Recording and mixing music for a film is one stressful and hectic job that is filled with a lot of confusion. It is essential that you follow all the steps that have been mentioned above so that you can record and mix music easily for your films. Let the music fly high!


Instruction: How Should You Prepare For An Audition

Response: To prepare for an audition, do your research on the project, who’s casting it, who’s creating it, the studio/network/theater behind it and who else has been cast. Read the script, make a choice, and bring it!While the specifics of what’s required for theater auditions versus TV and film will vary, at the core of each is the goal of developing a clear interpretation of a character.


Instruction: What Should You Wear To An Audition

Response: For auditions, wear something that makes you feel confident, that won’t be distracting on tape, and that makes you look put-together, not untidy. Also, try somewhat to emulate the role you're going in for.The right outfit shows you put thought into your presentation, so make sure you’ve genuinely thought all of your choices through. Limping into the audition room to play a model, after walking“If it’s on camera, try to wear solid colors (no sparkles or logos),”  says Cathryn Hatt Backstage Expert. “Try to stay away from bright white and tiny stripes (which have an intoxicating effect when you move). For drama, wear darker colors or earth tones. For comedy, wear brighter colors. For commercials, look and see what people in your category are wearing in commercials and keep that in your wardrobe.”


Instruction: What Can You Expect In An Audition

Response:
Expect to be treated like a professional at every audition you walk into, and you are expected to act like one.
Beginner mistakes include shaking hands with the casting director and not putting your phone on silent, according to casting director Rachael Williams. Additionally, not coming in prepared shows a lack of seriousness on your part.
If you're auditioning for:
TV shows or commercials: know your sidesTheater: know your monologueFilms: know your script.
Walk-in with confidence, greet the people in the room (which may include casting directors, directors, producers, network executives, artistic directors, potential co-stars, and/or a reader, depending on the project, the budget, and the studio, network, agency, or production company), do the introduction exactly as was asked of you, and bring it.


Instruction: How Should You Memorize Lines For An Audition

Response: The best way to memorize lines for an audition is to run through the script with a friend; a fellow actor is even better! Ask them to try different approaches and see if you’re nimble enough to respond accordingly, and change what you’ve been doing.There is no one or right way to memorize lines, but there are a few other methods that will make the process a bit easier.Some actors like to handwrite lines while others prefer resources such WeReherse.com, a platform that allows actors to virtually rehearse their lines with other actors and apps such as table-read or Rehearsal 2 which allow you to record the other parts in the script with enough space to recite your own lines.


Instruction: What Are Some Desirable Attributes That Will Help You Forge Ahead in Your Audition

Response:
What separates professionals from aspiring talent show prodigies isn’t inspiration. It’s preparation and execution. Take control of your audition with these 10 helpful tips to improve your skills.
ConfidenceIt sounds simple but it takes practice. Walk in the door with your head held high. Be wary of shuffling feet. You don’t get sympathy points if you’re nervous, not feeling well, or having a bad day. Leave it outside the door. You are being sized up the minute you walk in so practice good posture and body language before you arrive. And don’t forget to smile, that’s the lasting impression you want to leave.PersonalityLet it shine through. Don’t give one-word answers when having a conversation with the casting director. Ask questions! The industry is looking for smart, curious actors.ConnectionMake one with the reader. Memorize the material or be familiar enough with it to maintain eye contact. Knowing the dialogue is important, but making a connection with the reader is what will make the scene natural and believable.Character.Know the character. Read the entire script beforehand to pick-up as many clues as possible. We know about a character by the following:What they say about themselvesWhat other characters say about themWhat the playwright or screenwriter says about themObjectiveGo underneath the dialogue. What do they want from the other characters? What is the character’s purpose in the scene and story?Obstaclewhat’s in the way of the character getting what they want? Acting is what happens to you as you try to get your objective met, in spite of the obstacleOpposites Yelling isn’t the only way to show hatred or anger. Sometimes being quiet as you make your point is a powerful display of emotion. Playing opposites is a much more interesting choice than the obvious. LoveFind the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through.ActActing means to do, not to talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)VarietyFeel the levels and dynamics in the scene. Don’t play one emotion. If the character is angry or tough, when might they show some vulnerability?Aspiring? Not you! Interesting, memorable auditions will start to happen for you when you dig into scripts with these thoughts in mind before and during your auditions.
Methods Of Recording Sound On Film (SOF)


Instruction: What Is Sound-on-film

Response: Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded onto photographic film, usually, but not always, the same strip of film carrying the picture.


Instruction: What Are The Methods Of Recording  Sound On Film

Response:
When it comes to film and video sound, the first thing you need to determine is whether to use a single or double audio recording system.
What Is A Single Recording System?
A single system recording, is where audio is captured directly into the camera, and records simultaneously with the image. For a double or dual system, sound is captured independently of the camera and onto a digital audio recorder.
What Is A Double Recording  System?
A Double-system recording is a form of sound recording used in motion picture production whereby the sound for a scene is recorded on a machine that is separate from the camera or picture-recording apparatus.
This procedure requires that both camera and sound recorder share a very accurate time reference and that the speed of the camera and sound recorders be carefully governed.


Instruction: What Is The Main Difference Between Single And Double System

Response: In a single system, audio is captured directly into the camera and records simultaneously with the image. For a double or dual system, the sound is captured independently of the camera and onto a digital audio recorder. For a double or dual-system audio is synced up with video during post-production.


Instruction: What Are The benefits of Single-system recording Over Double-system recording

Response: The benefit of a single system over the double system is that it does not require audio to be synced up in post-production. This is advantageous in news and documentary formats that often require a quick turnaround of material.


Instruction: What Are The benefits of  Double-system recording Over Single-system recording

Response:
Most motion picture camera supports this option as opposed to Single-system recording, so all production sound is recorded on a separate recorder.The double system is ideal if your camera lacks higher-grade audio inputs.The double system delivers stronger audio quality, through a higher sampling rate. The higher the sample rate, the more accurate the digital representation. For example, 11 kHz would be low-quality sound, and 48 kHz would be the standard for digital sound recording.Double systems also deliver greater bit depth.  Bit depth refers to how many different values of amplitude each sound sample possesses. The higher the bit depth, the more accurate a system can record and reproduce the subtle fluctuations in a waveform.For example, 16-bit audio, which is standard for a digital audio recorder, can capture 65,536 different values of sound. This contributes to the richness and complexity of the sound recording.  Audio does not have to be tethered to the camera.
Different Types Of Microphones For Recording Sound On Film


Instruction: What Are The Different Types Of Microphones

Response:
When picking
out a microphone, the first thing to decide is what type of microphone you
need. If you’re a vocalist who records in studios, a condenser mic is a smart
choice. However, for anyone who performs live, a dynamic mic should be your
go-to microphone. Time to break down the various microphone types and when to
use them.
Shot-Gun Microphones What’s great about this zeppelin-shaped device is that it can pick up audio without capturing excess environmental noise.Often, the shotgun microphone is mounted to a boom pole where it can be held above or below an actor to capture dialog.Also, windshield accessories such as a “blimp” or the cuddly-sounding “dead cat,” fit snugly over the microphone and reduce distortion. Dynamic Microphones Dynamic microphones are what you picture when you typically think of a microphone. The same that most performers hold when singing.  Although a dynamic mic lacks the directional capacity as a shotgun microphone, it is excellent for recording in loud spaces.These mics don’t require external power and lack an internal amplifier. Because of this, they tend to be used during broadcasts or performances.Dynamic Mics are the workhorses of the microphone world. They’re cheap, durable and sound fantastic on some of the most common sources in the recording.Using a movable induction coil suspended in the field of a magnet, dynamic mics work like a speaker in reverse!Dynamic mics are responsive to transients and handle high SPL very well. This makes them a natural choice for loud sources like drum kit close mics and guitar and bass cabs.Given how affordable and versatile they are, there should definitely be a dynamic mic or two in your collection. And if you only have room for one, there’s really only a single serious contender: the Shure SM57. The versatile SM57 is one of the most accessible tools in recording.Of course, there’s a range of great dynamic designs that work for tons of studio situations including Electrovoice RE20,Sennheiser MD421Shure SM7B While all of these mics are great options, none have the grand slam price-to-performance ratio of the SM57.It’s the go-to choice of many engineers for guitar cabs and snare drums—no home studio should be without one! Large Diaphragm Condenser Microphones Large-diaphragm condenser microphones are probably the first thing that comes to mind when you think of studio recording mics.  They’re the large, stylish and serious-looking mics that you see in most professional recording studio situations.Condenser mics work by using a capacitor (or condenser) to convert acoustic vibrations into an electrical current. That means they need a power source like 48V phantom power to operate. It also means that they’re much more sensitive than dynamic mics or ribbon mics and output a louder signal.Their sensitivity makes them ideal for quiet or extremely dynamic sources—like vocals!Large-diaphragm condensers exhibit a number of sonically pleasing qualities for voices. They help create that “larger than life” sound that we associate with pro studio vocals.But LDCs are effective on all kinds of sources. If you’re looking for one mic that can handle every task, consider a large-diaphragm condenser.Many modern LDCs offer selectable polar patterns making them incredibly versatile and useful in tons of different recording situations and one of the best mics for building your studio around. Small Diaphragm Condenser MicrophonesSmall Diaphragm Condensers (sometimes called pencil condensers) are the smaller, less flashy cousin of the LDC. But they’re just as useful, despite their small stature. Small diaphragm condensers have a great transient response, extended top end, and consistent pickup patterns. This makes them great for realistic stereo techniques as well as acoustic instruments. If you sat in on classical music recording session, chances are you would see mostly SDCs.They often come in pairs for stereo recording, so they’re particularly effective for creating accurate stereo images of real acoustic spaces. Ribbon MicrophonesRibbon technology dates back to the earliest days of microphones. Photos from the golden age of broadcasting are filled with presenters speaking into classic ribbon mics. Ribbon microphones use an ultra-thin (wait for it) ribbon of electro-conductive material suspended between the poles of a magnet to generate their signal.Early ribbon designs were incredibly fragile. Moving them improperly, or even subjecting them to high SPL could cause the ribbon to break.But their sound was worth the trade-off in durability. Ribbon mics are prized for their warm, vintage tone.They’re perfect for when you need to tame excessive or harsh high-end: sources like guitar amps, drum overheads or brass.Ribbon microphones naturally produce a perfect figure-eight polar pattern and respond to EQ extremely well.Hot Tip: Even though today’s ribbon mics aren’t quite as fragile as the early designs, they’re still easier to damage than dynamics or condensers. Be careful while handling them!The most important rule of ribbons is never EVER supply 48V phantom power to ribbon mics. You risk electrocuting the ribbon itself!!! Lavalier MicrophonesThe lavalier microphone, or lav, is an omnidirectional microphone that clips onto the costume of an actor.  These tend to be used if an actor is moving around often. However, the placement of the mic is key. Because the lavalier microphone lacks the frequency balance of other devices, it can add an unwanted nasal quality to the dialog.Also, the lavalier microphone operates through a wireless system. This, of course, offers a greater degree of movement but eats through battery life rather quickly. There’s also the risk of radio interference ruining a take.When the option is available, the security of a wired connection is always preferred in sound recording.


Instruction: What Are Microphone Polar Patterns

Response: The polar pattern of a microphone is the sensitivity to sound relative to the direction or angle from which the sound arrives, or easier worded how well the microphone “hears“ sound from different directions.


Instruction: What Are The Different Types Of Microphone Polar Patterns

Response:
Omnidirectional: These microphones have equal sensitivity at all angles. An omnidirectional mic can be placed at the center of a room faced in any direction and would be able to pick up sound coming from anywhere in the entire room.Bidirectional: More commonly referred to as “figure 8” polar patterns pick up sound at equal levels from the front and rear of a microphone, but do their best to ignore the sound from the sides.Cardioid: These mics have the most sensitivity at the front however this sensitivity begins to taper off around the sides reaching a null point with no sensitivity in the rear. These microphones are best used when monitor speakers are being used since it will help reduce feedback risk.Supercardioid: Similar to cardioid microphones, this microphone polar pattern offers great sensitivity in the front with a bit more focused pattern making the microphone more directional and less likely to pick up unwanted sounds in loud environments. This pattern, however, does have some rear sensitivity.
Microphone Polar Pattern Graphical Illustrations


Instruction: What Are The Unwanted Noise Types During Recording Of  Sound On Film

Response: Controllable noiseControllable noise is interference that can be managed. The biggest offenders of this type of noise are refrigerators, mobile phones and personal electronics. Make sure all phones and appliances are switched off. But, especially when it comes to refrigerators, remember to power them back on after production for some very obvious reasons. Uncontrollable noise As the name suggests, uncontrollable noise originates from forces outside of one’s control. This might be a passing car or airplane, or music emanating from a nearby building. This is where professional headphones come into play. If you pick up some of this unwanted interference, make sure to announce it on set. Wait until the sound ceases, or if it doesn’t seem to be wrapping any time soon, move to another location. A big part of good sound design and sound recording will come by way of your experienced sound operator one set.


Instruction: What Additional Sound Gear Are Important In Recording Sound On Film

Response:
Preamps help your soundAs you can imagine, avoiding noise interference is vastly important in sound recording. This is where a preamplifier, or preamp, comes in handy.A preamp is an electronic amplifier that boosts a weak electrical signal into a stronger one. This inevitably makes the signal noise-tolerant and ready for processing into a sound mixer.A microphone, for example, produces a weak electrical signal. Without the assistance of a preamp, the final signal emanating from the device would be noisy and distorted.Now, most preamps have a switch where a user can toggle between line and microphone signal options.These are the sources of where the audio is coming from. A line signal typically comes from the console of a sound mixer or playback device. The audio here tends to be strong and doesn’t require significant amplification.As mentioned, microphones are far weaker and do require this boost.An important thing to remember though is that when you boost an audio signal using a preamp, you boost the noise of the preamp itself. This is another strike against the single system as in-camera preamps tend to be noisier than their dual system counterparts.Yes, amplification is important when recording sound. But when using a preamp, you need to be aware of your audio levels and avoid clipping.Clipping occurs when an amplifier is overdriven and forced to deliver an audio output that is beyond its capacity. Basically, the clipping point is the maximum level of loudness.Keep at least an 18 decibel (dB) difference between ambient noise and your desired signal. Following this simple rule will ensure you achieve a strong, clean signal when using a preamp. Audio Cables Audio cables come in two varieties: balanced and unbalanced.  A Balanced audio cable is the simplest, most cost-effective of cables. These devices possess either a mini-jack, phono tip sleeve or an RCA connector. Most carry a mono audio signal, but there are stereo varieties.An unbalanced audio cable is comprised of two wires. One wire is a shielding mesh wire known as the ground, which is the zero point for the signal. The other is known as the hot, which is the signal itself. This cable is more susceptible to noise interference and is typically used to cover shorter distances. For longer distances, the balanced audio cable is the ideal solution. Using either an XLR connection or a tip ring sleeve (TRS), these cables possess three wires instead of two. As with the unbalanced cable, there exists a shielding mesh ground wire and a hot wire. But instead of sending audio down a single wire, it is now being transferred down two wires.Along with the hot wire, there is now a cold wire. When an audio signal reaches the end of one wire, it reverses itself and travels down the other. This process cancels out any external noise or interference that might affect the sound recording.Because of this, the balanced audio cable can take a lot of strain on set without sacrificing audio quality.As with all of this sound recording equipment, it’s about determining what is going to benefit your movie the most.
Well, the same holds true for sound capture. In preparing for a production, the sound team should gather and test their gear. This process includes testing batteries and making sure hard drives or tapes contain enough storage space. Also, it’s important to make sure that there’s no controllable ambient sound that could cause interference. The sound team might also record what is known as a buzz track. A buzz track is a track of silence captured on a location that can be used in editing later to cover up any unwanted noise.
What Are Some Tips & Techniques For Recording Sound On Film
1. Tips When Recording Sound duties on-set
Okay, with the preparations taken care of, it’s time for the shoot. At the start of each take, the first AD will say, “Roll sound.” The sound technician will then press the record button on their digital audio recorder.Moments later, the sound technician will call back with, “Speed,” or “Rolling sound.” The AD will then repeat this process with the camera and the take will proceed until the director yells “Cut.”This process will repeat throughout the shoot. After each take, the sound team will complete a sound report sheet. The document tells the editor what is recorded on each tape, track or hard drive.
2. Tips while conducting rehearsals
As expected, communication is key on a film set. And nowhere is it more important than in connection with the sound recording process.During onset rehearsals, the sound team will discuss and determine the appropriate recording levels, as well as microphone and actor placement. For example, if the dialog is too quiet, the background noise will overpower it once the audio is compressed.The point, of course, is to create an environment where sound capture will be clean, and without drop off.
3. Tips When You Encounter A Problem
With sound capture being a vital component to the moviemaking process, it’s imperative that the sound team makes the rest of the production aware of any issues that may arise during recording.You will be able to hear things they cannot, so don’t assume they’re aware of every issue. Fair or not, they will hold you responsible later.This includes ambient noise interference or quiet dialog. You may think well, what’s the big deal? We can just fix it in post production anyways.Yes, perhaps. But, it’s always a better idea to get the desired sound recording on set, rather than waiting weeks, or months to re-record it.Remember, if sound design is your business, you should have no problem voicing your concern and adding production value for $0.00.If you’re a filmmaker on set, and your sound team brings up an issue that you then decide to ignore…You can lead a horse to water, but you can’t make it drink.
4. Good distances to capture audio
Not surprisingly, microphone distance can make or break a sound recording, and may lead to you being rehired or passed up.  Whether you’re using a shotgun or a dynamic microphone, make sure the device is no further than three feet (1 meter) away from the subject.Remember, closer is always better when building a strong sound design.    Yes, this may seem like a simple, obvious tip. But, following this rule will dramatically strengthen your audio quality.
5. Tips To Combat reverb and bouncy sounds
Shooting locations can be unpredictable, especially when it comes to sound recording. One of the most common, and unfortunate side-effects of an indoor location is bouncy sound.To combat this, sound teams have developed a number of practical solutions. Adding soft textile items such as rugs, curtains or acoustic paneling to walls helps to deplete echoes.Every member of the sound team, from the sound mixer to the recorder, needs to possess a professional pair of headphones. When setting up a location, listen carefully to the space. Then, make a careful determination of whether additional items are required to reduce echo.


Instruction: What is animation in simple words

Response: Animation is a way of making a movie from many still images. The images are put together one after another and then played at a fast speed to give the illusion of movement. ... A person who makes animations is called an animator.


Instruction: Why is animation used in films

Response:
Computer animation in
otherwise live-action films is commonly known as computer-generated
imagery (CGI), or CG in the motion picture industry. ... It is also used to
create special effects that might otherwise not be possible or that would
detract from the visual “feel” of the film
What is the difference between cartoons and animated films? A cartoon is a form of two-dimensional illustrated visual art. While the specific definition has changed over time, modern usage refers to a typically non-realistic or semi-realistic drawing or painting intended for satire, caricature, or humor. No matter how you look at it, an anime is a cartoon.


Instruction: What is the benefit of animation

Response:
There are
many advantages of including animation in
web design. It keeps your visitors on your site longer so your bounce rate is
lower. This means that your visitors may be staying on your page longer. It
increases the level of interest in your site and encourages more shares and
revisits.


Instruction: What is full animation

Response:
Full
animation refers to the process of producing high-quality
traditionally animated films that regularly use detailed drawings
and plausible movement, having a smooth animation.


Instruction: How do animations work

Response:
Animation works by using an optical illusion. By presenting a sequence of still images in quick enough succession, the viewer interprets them as a continuous moving image. This is the same principle that enables live-action film making and projection to work.
You might think animation for video games and animation for movies is really the same thing. That's a fairly common misconception. Even though the same tools and principles of animation apply to both mediums, the processes and techniques actually differ greatly between the two.
Animation in Games
Games are meant to be interactive. When you play
a game, you'll have complete control of the character and the camera. You're
the one driving the story forward and making the character move. So not only
does the animation need to look good, it needs to look good from every possible
angle.
For instance, if the game is the third person, and the player rotates the camera around they'll see the walk or run cycle from a completely new angle. This new angle can reveal things like knee pops that may not have been visible in the normal camera view. These are things that a game animator needs to take into account to ensure their animation holds up to whatever the player may throw at it. Unlike animation in a movie where the animator doesn't need to worry about how it will look from a side view or from behind, creating animations for games needs to look good from any angle. For instance, when implementing the principle of arcs into an animation, the animator needs to ensure the character is following nice smooth arcing motions from any camera angle.
Animation in Movies
When it comes to animation for movies, the animator is only responsible for animating whatever is in the view of the shot camera. In other words, they only have to worry about one camera angle at a time. If you're watching a movie, you hit the "Play" button on a movie you can't rotate around to look at the whole set. So you're stuck looking at whatever the camera is viewing.
This allows an animator working on a movie to cheat in many ways because they know that the shot will only be seen from one angle. So if it looks great from that angle, that's ultimately all that matters. This isn't to say animating for movies is easy. Quite the contrary. But there are certain difficulties that arise with video game animation that can be very different than the difficulties that arise with animating for movies. As previously mentioned, in movies the audience has no control over what's happening. In a sense, they're just along for the ride. If you were to get a behind the scenes look at a movie you'd see a whole set, with the director, lights and many other things sitting right behind the camera. As long as they're out of the shot of the camera, the audience is never going to see the whole production crew.
Creating Game Animation
As a game animator, you'll be exposed to many more types of animations than what is typically found in a movie like Pixar or DreamWorks produces. You may find yourself creating animations for fantasy creatures, giants, combat maneuvers, scripted events, etc. And you'll do many different types of cycles, not just walk and run cycles. For instance, most games will need to have a breathing cycle, an idle stance cycle (when the character is standing still) crouching and walking, walking forward while aiming a gun, laying down and crawling forward, the list goes on.
Most games are driven by body mechanics, so you'll need to spend a lot of time perfecting your body mechanics to be successful in games. That's not to say you won't be animating any acting scenes, but if you look back at the last video game you played, you'll probably see just how body mechanics heavy it is.The timing for animations in games is often determined by the needs of the player inputs. Nothing is more frustrating than getting caught in a gunfight in Call of Duty and suddenly having to reload, typically resulting in your death. But those reload animations have to be timed perfectly to enhance the gameplay. For instance, you want a reload animation to be fast enough so the player can get back to the action, but also slow enough to be realistic, and add a challenge for the player.
Working in Games
Typically each animation you're given must be completed in a much shorter amount of time than film. It's not uncommon in feature film animations for an animator to have several months to finish a single shot, depending on how complex it is. In games the turnaround is much faster, while the animations may not need to be as perfect as in a movie, they still must look good in the game. The number of passes you can have on a single animation is often much smaller, simply because you won't have the time to go from blocking, blocking version 2, blocking version 3, etc. You will need to find ways to get from blocking to the finished animation in the shortest amount of time. Since there is less time to refine your work, you will need to have a greater understanding of the animation and the purpose of it, and what you want the player to feel. Game animation isn't about creating top-notch performances like in Frozen, but about ensuring the animation will work well for the player.
Working with Motion Capture
While there's a huge emphasis on body mechanics in game animation, there's still a need to push the story forward, and as hardware progresses games are becoming even more story-driven. Video games are typically a much more realistic style of animation, rather than something like Toy Story or Megamind, of course, there are more stylized animations in games like Wildstar but for the most part, games try to be grounded in realism to help keep the player engrossed in the gameplay. To ensure the game is as realistic as possible motion capture is a technique that's being used more often, especially for the more subtle acting cut scenes like you would find in The Last of Us. As a video game animator motion capture is something you will need to become familiar with because more studios are implementing it into their pipeline. This does not mean traditional animation is not needed, but you will often need to use motion caption data as a starting point in your animations, and build off from there. Animating for games can bring a whole new set of challenges to the table, but it's also very rewarding.
Corporate Animation Films
Today it’s no secret that the human brain processes visuals more than it processes texts.
Therefore adding corporate animation videos to your marketing efforts will make
your target audience 10 times more likely to engage with your brand. An animated video
will offer endless benefits for your small business — they’re fun, they’re
persuasive, and they build trust.
For a small business, customer acquisition is just as important as customer retention, and a surefire way to acquire customers is to pique their interest. Animated videos are great at this. People like watching animated videos because they tell stories in a fun and easy to digest format. Essentially, businesses create marketing videos to keep their brand top-of-mind for their customers. So it’s imperative to understand what makes the best animated corporate videos.
Things You Should Know When Creating Corporate Animation Videos
Take Care of the Vital Elements of a Great VideoWhat makes great animated brand videos? Videos become enthralling when there are suitable video narratives. Such inclusions play a significant role in any kind of video and when it comes to corporate video, a narrative means compiling an engaging and compelling story with certain elements. You can mesmerize your audience by the best corporate process animation videos.The four major elements of a grand video narrative are:Character- The main character of your product video is the product or the service.Quest – Your audience is always at the lookout whether you know their pain points or not.Climax – This element tells your customers how your hero (the product) can solve their problem.Resolution – The final part of the video, it’s about introducing the CTA. Human Touch – Let Your Customers Discover What Benefits ThemPeople select a brand when it conveys a message that resonates with them. Therefore, the trick of creating a high engaging corporate video involves illustrating to your clients the informative features of your product. When your customers understand how they can benefit from your brand, needless to say, they will choose you over your competitors.According to experts, when you decide to create an impressive video that draws the client, you need to have an ideal buyer persona in mind. With such a persona in your mind, you can quickly raise awareness of your brand and educate your existing customers.Brand Personality – Create Your Video with a Signature StyleAccording to science, people tend to grasp about 20% of what they read, 10% of what they hear and in comparison remember 80% of what they see and do. This is why your video animation demands to be an impressive extension of your brand so that viewers watch it and the image of your brand gets imbibed into their minds.So when you are creating a corporate video, building with your brand signature style will get you amazing results.Now, what does signature style mean? A signature style is synonymous with brand personality and it is more than any visual aspects like brand colors and logo. It includes elements like who your target audience is, what’s your niche industry and what way you direct your messaging, whether it's towards the B2B companies or B2C.Brand promotion – Place your logo appropriately to promote your brandWhy do we create videos? The most common answer would be to promote our brand, isn’t it? And the obvious way to market your brand is by appropriately using logos and taglines. So, needless to say, your logos should be clear and recognizable. In this regard SeSenior Digital Marketing Executive at LogoDesignGuru.com, Aamina Suleman opines including logo on any accessories like in the shirts, coffee mugs, or other items inside the shot would bring amazing results.This means you need not have to limit yourself to using your logos. Logos as a corner badge, watermark, or anywhere that is visible and catches people’s attention proves to be rewarding.Audience Engagement – Take care of the length of the video Length is one of the vital elements of all kinds of videos. It’s the era of instant gratification. People don’t wait too long to process information. So to match the people’s attention capacity, you have to take care of your video length. There’s no denying, the length is the deciding factor whether your people will watch the video or not. When a video is too lengthy, the level of engagement begins to drop after some time.  A video that is not more than two minutes long is found to be more engaging and most importantly, viewers won’t turn off before they reach call-to-action.  Experts are always of the view that videos are mainly designed to encourage viewers to find out more about your company. Its vital goal is to spark their interest and transform them into your valued customers. Distribution Channels – Find the Right Platforms to Share Your VideoThe final step after creating a video is promoting it. But one of the biggest mistakes most of us do while uploading videos – is not to share it on proper platforms that can bring exposure. One thing which we must keep in mind while sharing our video- viewers respond to video content differently depending on the social platform or marketing channel.  Hence, you should have an idea of where you want to market your video. Whether you want to upload it on Facebook or use video in an email, don’t forget to optimize the video title, description and call to action accordingly.  This is for your information – your video should always fit into the context of where it is marketed. Don’t forget to match the elements of your video demanded by the platforms. For example, if most of your customers are on Instagram, your video should not be any longer than 15 seconds and when you want to place an ad on YouTube 30 seconds long video will work wonder. Other channels where you can distribute and promote your videos include your website homepage, email newsletters, trade shows, and social media. Use Effective Tools to Create Animated Videos for BusinessAnimakerAnimaker is one of the best tools to create corporate animation videos. This DIY tool has become a much-preferred one for its users as it allows them to display statistics and data more compellingly. With functions like drag and drop, sound effects, music, pre-animated assets, and many such features, any business can craft a memorable video for its clients. Animaker also understands that a lengthy video is of no value to the audience; that’s the reason the videos you create with the help of the tool is not more than 2 minutes long. You can go for a free trial period and then choose three monthly payment options.VyondVyond, formerly known as GoAnimate, is one of the useful tools that have been helping professionals to make successful animated corporate videos. This do-it-yourself and an affordable tool allows its users to create an engaging corporate video with their huge library of templates, sounds and much more. Why don’t you use Vyond and start transforming generic content into dynamic ones in minutes?WideoCreating animated brand videos is never being so easy when it’s with Wideo. The tool allows you to step your video creation up by adding marketing features to the mix. Studies show that more than 50% of Marketers are delighted with this animation maker software due to its flexibility and affordability.MoovlyAre you looking for a tool with unlimited downloads and unlimited videos offer? Mooyly is one such tool that has all the features a professional loves. It’s easy-to-use customizable video software that helps you win clients easily. You can create visual reports, explainer, and tutorial videos easily and creatively. Their pricing structure ranges from an essential subscription of $5 a month to a Moovly Business subscription costing $300 a year.CrazyTalkWith the advancement in technology, you need breakthrough software to create high-quality corporate animation videos to engage your clients. Crazytalk is today the world’s one of the most popular animation software to use voice and text to brilliantly moving facial images. CrazyTalk 8 contains all the powerful features that help the users create high end and revolutionary talking animation projects. Needless to say, it’s the best corporate animation software of all time.
With videos continuing
to gain momentum as one of the fastest-growing marketing strategies, it’s high
time that we focus on exploring the power of an effective corporate video. But
we need to remember that an impressive animated brand video needs to follow a
basic formula. Like any other production, you need an ideal script to start
with, essential music and sound to engage your audience. A perfect message that
says you can solve your audience’s problem is last not the least a call to
action section. Compiling all these you will create a perfect video that’s
virtually and intellectually pleasing.
Animation is a way of making a movie from many still images. The images are put together one after another, and then played at a fast speed to give the illusion of movement. ... A person who makes animations is called an animator.
Full animation refers to the process of producing high-quality traditionally animated films that regularly use detailed drawings and plausible movement, having a smooth animation.
- Animaker- Vyond- Wideo- Moovly- CrazyTalk
How to Analyze a Film
Film analysis is the process in which a film is analyzed in terms of
mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by the
shot-by-shot analysis, though
that is typically used only for small clips or scenes. Film analysis is closely connected
to film theory.


Instruction: What does a film analysis consist of

Response: Narrative structure analysis is the analysis of the story elements, including plot structure, character motivations, and theme


Instruction: What is the purpose of film analysis

Response:
The overall quality of
the elements and processing techniques in totality determines the success of
a film. It is important
to analyze all elements
which are brought together in a film in
order to assess the effectiveness of the film in achieving the objectives of the producers


Instruction: What is the first step in analyzing a film

Response:
The first step is to understand how the film is put together as a whole. Examine narrative films in terms of plot, story, causality, time, and space. Analyze the pattern of development.
What are the 8 elements of film?
So here they are, the eight narrative elements of film:
Character. ...Plot. ...Conflict. ...Resolution. ...Structure. ...Scenes. ...Dialogue. ...Visuals.
What are film techniques?
This is achieved by the film techniques the producer has used. The techniques used in a film have an impact on the way a viewer interprets the story or characters. For example, different angles and shots can be used to make a character look scary, strong or frightened. Some basic techniques involve framing.
The Elements of Film Form
So let’s begin by establishing a vocabulary of the five basic elements of film form – literary design, visual design, cinematography, editing, and sound design. 1 -‐ Literary design consists of the story ideas and the script.
What is a critical analysis of a film?
In a critical analysis essay, you systematically evaluate a work's effectiveness including what it does well and what it does poorly. It can be used to discuss a book, article or even a film.
What makes a film a classic?
Classic films are films that are "of lasting worth or timeless quality."" They are well-made with great acting, music, and dialogue. ... Classic films are believable--enough so that people actually become absorbed in the movie to the point they feel they're part of the story.
What happens in overlapping editing?
Overlapping editing prolongs action and stretches it out pasts its duration in the film or TV show usually to signify importance. The camera shoots the actors from different angles in the same scene. Overlapping editing allows the viewer to see the action from each of those angles.
Characteristics
Films are similar to novels or short stories in that they tell a story. They include the same genres: romantic, historical, detective, thriller, adventure, horror, and science fiction. However, films may also include sub-groups such as action, comedy, tragedy, westerns, and war. The methods you use to analyze a film are closely related to those used to analyze literature; nevertheless, films are multimedia. They are visual media made for viewers. Films take command of more of our senses to create special atmospheres, feelings or to bring out emotions.Along with the literary elements such as plot, setting, characterization, structure, and theme, which make up the text or screenplay, there are many different film techniques used to tell the story or narrative. Attention is paid to sound, music, lighting, camera angles, and editing. What is important is to focus on how all the elements are used together in making a good film.
Below is a list of elements and questions to help you when analyzing films.
Film Contents
Film Facts
Title of filmYear film was producedNationalityNames of the actorsName of director
Genre
What main genre does the film fall under? – Romantic, historical, detective, thriller, adventure, horror, and science fiction.What sub-grouping does the film fall under? – Action, comedy, tragedy, war, and westerns.
Setting
Setting is a description of where and when the story takes place.


Instruction: Does it take place in the present, the past, or the future?What aspects of the setting are we made aware of? – Geography, weather conditions, physical environment, time of day.Where are we in the opening scene

Response: Plot and structure


Instruction: What are the most important sequences?How is the plot structured?Is it linear, chronological or is it presented through flashbacks??Are there several plots running parallel?How is suspense built up?Do any events foreshadow what is to come

Response:
Conflict
Conflict or tension is usually the heart of the film and is related to the main characters.


Instruction: How would you describe the main conflict?Is it internal where the character suffers inwardly?Is it external caused by the surroundings or environment the main character finds him/her in

Response:
Characterization
Characterization deals with how the characters are described.


Instruction: Through dialogue


Instruction: By the way, they speak?Physical appearance? Thoughts and feelings?Interaction – the way they act towards other characters?Are they static characters who do not change?Do they develop by the end of the story?What type of characters are they?What qualities stand out?Are they stereotypes?Are the characters believable

Response:
Narrator and point of view
The narrator is the person telling the story.


Instruction: Is there a narrator in the film? Who?Point of view means through whose eyes the story is being told.Through whose eyes does the story unfold?Is the story told in the first person “I” point of view?Is the story told through an off-screen narrator

Response:
Imagery
In films imagery are the elements used to create pictures in our minds. They may include:


Instruction: Symbols – when something stands not only for itself (a literal meaning), but also stands for something else (a figurative meaning) e.g. the feather in the film Forrest Gump symbolizes his destiny.What images are used in the film? E.g. color, objects, etc.Can you find any symbols

Response: Theme


Instruction: What are the universal ideas that shine through in the film (in other words, what is it about, in general)

Response:
Cinematic Effects
Soundtrack


Instruction: Includes dialogue and music, as well as all the other sounds in a film.  Enhances the atmosphere of the film (what effect does the choice of music have? Does it suit the theme?)Are any particular sounds accentuated

Response: Use of the camera


Instruction: A camera shot is based on the camera’s distance from the object.The four basic shots used in films are:A close-up – a very close shot where the camera lens focuses on some detail or the actor’s face.Medium shot – a shot where the camera lens picks up some background or upper half of the actor.Full shot – a shot where the camera lens has a full view of the actor.Long shot – shot taken at a distance from an object.What camera shots can you identify in the film? How are they used?A camera angle is how the camera is tilted while filming.Straight-on angle – The camera is at the same height as the object.High angle – The camera is filming from above the object.Low angle – The camera is looking up at the object.Oblique angle – The camera is tilted sideways.Does the way in which the camera is held say anything about the character

Response: Lighting


Instruction: Lighting focuses the audience’s attention on the main character or object in a film.It also sets the mood or atmosphere.While high-key lighting is bright and illuminating, low-key lighting is darker with a lot of shadows.What special lighting effects are used during the most important scenes?Filters are often used to soften and reduce harsh contrasts. They can also be used to eliminate haze, ultraviolet light or glare from water when shooting outside.Using a color like red or orange can be used to enhance the feeling of a sunset.Can you find any examples where a filter has been used in the film?What effect did using a filter have on the scene?What colors are the most dominant

Response:
Editing
Editing is the way in which a film editor together with the director cuts and assembles the scenes. The way the scenes are joined together creates the rhythm of the motion picture. Scenes can be long and drawn out or short and choppy.


Instruction: Can you see a pattern to how the scenes are cut?How would you describe the pace/tempo of the film

Response: When analyzing films for schoolwork or projects, you may be asked to use some or all of the characteristics above. Link those elements together that seems most logical. Try to think of the film as a whole and how the elements mentioned above work together to bring out the main message of the film.


Instruction: Why Should You Soundproof a Room Meant For Audio Recording

Response:
A vocal booth, otherwise known as a recording booth or sound isolation booth, is an enclosed structure built to provide the best possible isolation in terms of sound transmission. Vocal booths are most commonly used to record vocals and solo instruments without the recording being compromised by any outside sounds.
When setting up a home recording studio for music production, podcasting, or other kinds of audio work, there’s one important thing that you’ll need to prioritize: soundproofing. You can get the most expensive recording gear in the market and your audience would still be able to tell if you recorded in an environment that’s not conducive for working with sound.To get the most out of your equipment and produce only professional-quality audio, you’ll need to keep outside sounds from being heard and recorded. Fortunately, good sound blocking also means you can keep your noise in and avoid disturbing your neighbors.


Instruction: How Do You Soundproof a Room for Audio Recording

Response:
1. Adding mass
The most basic method for soundproofing is to increase the amount of material within the boundaries of the room. What this does is it makes your walls thicker and denser, so it can’t easily be vibrated by sound wave energy. When sound hits a dense barrier, it will either be reflected, be absorbed into the mass, or both. This effectively keeps noise from getting in and out of the room.
2. Build a thicker wall
Couple of ways that you can add mass to your room surfaces:
If you’re building a wall from scratch, choose a thicker drywall (around 1.6cm) that can absorb more sound. You can also add a sound isolation barrier or “sheetblock” on the inside of the drywall to add an extra layer. However, if you’re simply improving on an existing wall, you can try either of these techniques:
Use the sheetblock on the outside of the wall and cover it with another (thinner) layer of drywall to camouflage it.Build a simple wall frame, attach it to the wall surface, anchor it to existing studs, cover it with another layer of drywall, and repaint it.
3. Apply wall padding
Even after creating a denser wall, you can improve the soundproofing by installing absorbent panels or foam mats that soften noise within the room while also absorbing noise from the outside.
Popular options include 12*12 acoustic wedge-style wall panels that absorb both high and low frequencies pretty well. These foam panels are designed to provide a controlled response to sound, which ensures that you don’t end up with an acoustically deadened environment. They also normally come with adhesive peels for easy and convenient application on walls and ceilings.
However, for best results, invest in panels that have a fiberglass core, as these have high sound absorption ratings, are highly durable, and normally very easy to clean.
4. Damping noise and vibrations
Even with denser surfaces, you may not be able to completely dissipate vibrations, especially in the bass region. These vibrations often travel along the wooden frame around the room, along the drywalls, and up your mic stands, which can result in disturbances in your recordings even with the best microphones in use.
Damping helps dissipate and slow down these vibrations, in the same way that touching or applying light pressure to a vibrating object will lessen the vibration or stop it altogether. What you need to do is add some material that can absorb the vibrations inside the room and convert the kinetic energy into heat.
5. Use Acoustical Glue
Also known as acoustical caulk glue, this specially designed elastic sealant can be applied when building your wall frames and installing drywalls. It is known to be the most effective tool for damping noise in a room. As long as you use enough of it, it will hold materials together while absorbing bass vibrations.
You can also use normal caulk to fill those small cracks, gaps, and seams in and around the walls and windows to maximize your soundproofing. Some caulks are water-based or can be painted over, so they’re easier to clean and cover up in case they don’t match the color of your walls.
6. Decoupling structures and equipment
Image via ShutterstockDecoupling is simply the isolation of your wall surfaces and equipment from the outer boundaries of your room, from where vibrations will normally be transmitted. By keeping them away, you eliminate shaking that causes unnecessary noise and buzzing sounds.
When you don’t have the option of tearing down your walls or building a new one to add insulation and soundproofing materials, this is definitely a favorable option. It’s also good for getting clearer instrumental sounds for separate microphones in isolated booths. Here’s how you can start decoupling structures:
7. Create air gaps
When your inner wall elements don’t touch and therefore can’t utilize an acoustic sealant to hold your walls and ceilings together, you can use Whisper Clips and channels. The benefit of using these is that it isolates your structural layers, thus creating air gaps that keep outside bass vibrations from traveling directly from the frame to the drywall and into your room, and vice versa.
Even if you have already filled your wall with rigid fiberglass and used an acoustical sealant to stick a drywall onto, you can use the Whisper Clips and channels to create a secondary wall to achieve the same isolating or “floating” effect. This technique doubles the absorption of sounds and vibrations, making it the ideal soundproofing method for professional recording studios.
8. Float the floor
If there’s a room below you, you may need to do apply the same doubling concept for your floors. But instead of adding a drywall and damping glue, add a drywall layer to create an air gap in between layers. Many also choose to install thick soundproofing mats on the entire floor area to “float” it.
9. Use isolation pads
Remember those awesome studio monitors that you got for your recording space? They can easily produce vibrations that you don’t want transmitted across surfaces. Consider getting isolation foam pads or a thick rug that you can place under each of your speakers. You can also get isolation pads for your drum set and other sound equipment that normally produce vibrations.
10. Filling air gaps
After creating a “room within a room” that drastically reduces and blocks out external noise, you’ll need to go back and check for air gaps that may undermine your soundproofing. You may have missed a couple of areas, like wooden windows, pipes, air-conditioning vents, and door frames, through which significant amounts of noise can seep in and out. All you have to do is close them up to keep studio noise in and outside noise out.
11. Seal gaps with foam gaskets
Once you’ve spotted those gaps, fill them with appropriately-sized foam gaskets. There are many affordable foam fillers that do the job well, but you can choose to stuff it with additional insulation before closing them up with the foam for extra vibration absorbency.
12. Install a door sweep
Finally, close the gap between the floor and your door. You can use a long, horizontal pillow that can easily be slid right underneath your door or install a more professional-looking door sweep that automatically fills the gap with rubber. Whatever kind of thick door insert can work, but you’ll definitely want one that’s dense enough to really block out noise.
Besides these four common and economical noise control materials; barrier, RC channel/sound clips, foam mats, green glue, insulation, vibration pads, panels, soundproofing doors and windows etc., are also used to block the unwanted noise and soundWood conducts sound because it is easy to move but it also absorbs like a sponge blocking some sound. The best thing to absorb sound is a soft surface with sufficient surface to distribute the sound. For example rockwool insulation is quite good but the best thing is a combination of materials.


Instruction: Can you soundproof with egg cartons

Response:
So, unlike egg crates, there is one big difference - they are made of soundproofing material. That way, not only that acoustic foam panels will prevent the noise from outside but because of this egg shape also prevent the unwanted echo. As we mentioned, these panels might be behind the myth for egg cartons.
So, the bottom line is that almost all soundproofing methods will work both ways. Decoupling is designed to isolate the inside of a room from the outside, while adding mass helps to absorb sound waves.In general, soft, pliable, or porous materials (like cloths) serve as good acoustic insulators - absorbing most sound, whereas dense, hard, impenetrable materials (such as metals) reflect most.
Video subtitles are an important content detail that should be included whenever possible. Online video Subtitles and captions can improve the experience for all kinds of viewers–not just non-English speakers or the hard of hearing.
Unfortunately, too many video producers skip the important step of adding subtitles. They may assume it’s difficult to do, or they aren’t aware of the many, many benefits they could gain.
If your company produces video content, consider adding subtitles to your online videos. Plus, if you outsource the transcription process, this can help you avoid frustration or extra time spent by your team. Read on to learn just how easy it is to get subtitles online.


Instruction: What Are The Drawbacks of Creating Subtitles Yourself

Response:
Companies avoid adding video subtitles online because they believe it’s too expensive or time-consuming to do so. In fact, the drawbacks of not having video subtitles online can be even more costly than the additional step of adding subtitles.
When you try to add video subtitles yourself rather than choosing an online service, this can create a few additional difficulties:
1. Team Frustration
When a company decides to add their own video subtitles, it can be a time-consuming, frustrating process for the unlucky team member chosen to do it. You have to decide which language or languages to offer subtitles in, and the subtitler has to follow the pacing of the video to make sure the subtitles appear at just the right place, and for the right length of time.
This can be especially frustrating to someone who is inexperienced with subtitles or who is not familiar with one of the languages, especially if dealing with video captions is not part of their job description!
When you order subtitles online, this not only keeps your team from getting frustrated with their daily responsibilities (or by having to create subtitles instead of fulfilling their normal responsibilities), but it’s also less expensive than hiring a full-time subtitle writer.
2. Too Many Hours Spent on Subtitles
It can potentially take hours to create an accurate, complete subtitle file for any video. Of course, part of this will depend on the length of the video itself, and the language you’re working with for the subtitles.
Generally, it takes at least five times the length of the video to add subtitles or captions! This means if you have a 15-minute video, you’re looking at nearly an hour and a half just creating subtitles. And that’s assuming that the video stays on-schedule, with no other tasks competing for your team’s attention.


Instruction: If you have an even longer video or multiple videos, those minutes and hours quickly add up. Add even more time if your video’s audio is lower quality, or there are multiple speakers with different accents. Do you, your team members, and your organization have time to subtitle all that

Response:
When you let the professionals handle your video subtitles, it reduces hassle for your team and keeps content production on schedule.
3. Potentially Poor Video Subtitles
Unless you have a subtitle or language expert on your team, you may not be producing the most high-quality subtitles for your videos. All too often, no subtitles are better than bad subtitles.
Unless you (or a team member) are bilingual and have plenty of spare time, you will need to take certain steps to get your subtitle files. You might produce a captions file for your video and then use a translation tool to translate the captions into subtitles in the language you need. However, this is highly unlikely to produce the most accurate subtitles.
If you have a tight budget, you might be tempted to go with a free or low-cost subtitle service, either human- or computer-generated. Unfortunately, this can also have some drawbacks. Like with many other things, this is a major case of “you get what you pay for.”
Non-professional individuals may be less motivated to perform quality work. Speech-recognition software may not recognize more subtle details in the audio and may be limited in their languages, video length, or file formats, compared to more professional services.
People use subtitles on videos for a variety of different reasons:
It helps them understand the video betterThey are learning the language the video is inThey don’t understand the spoken language or have hearing difficulties
With the right subtitle service, you are guaranteed to get accurate subtitles that will only add to the video viewing experience.
The Easiest Way to Get Subtitles Online
Fortunately, those setbacks we mentioned are all avoidable! With a great online video subtitle and caption service, anyone who produces videos can prevent these obstacles, keep costs down, improve video quality, and reap the benefits of video subtitles–all at the same time.
Professional translators can interpret dialogue correctly and better understand how to avoid common errors caused by a more casual translation. Trained professionals can help you avoid embarrassing mistakes from an incorrectly subtitled video.
The Difference an Expert Makes When You Get Subtitles Online
But what makes subtitles so important? As mentioned, that high-quality video subtitles bring many benefits, but what are those specific benefits?
1. Video Subtitles Increase Your Reach and Views
Adding subtitles to video online can increase your video view time by more than 12%. By following the subtitles, more people will watch your videos for a longer period of time.
Viewers often watch online videos without sound, especially on mobile devices without headphones. Public transportation, noisy cafes, or quiet libraries are all places where most people would be unable to watch a video with sound. By adding subtitles, mobile users can more easily watch your video on the go.
The more people watch your video with online subtitles, the more likely they are to share it with a friend or colleague, even if they never actually hear it. This is only possible if you add subtitles to video online. When your online video has no subtitles, viewers who can’t listen to it are less likely to share it.
2. Video Subtitles Boost Video Engagement
When viewers share your video via email or social media, they may use a quote from the video. It’s easier to remember the best quotes when they appear on the screen in the form of subtitles. This keeps users from having to keep going back and hit play, rewind, and pause to make sure they find the right part. Videos with subtitles also tend to have more comments, since the audience is more likely to express interest or ask follow-up questions if you’ve captured their interest and increased their understanding by captioning your videos.
3. Adding Subtitles Improves SEO
Did you know that adding subtitles improve your video’s position in search engine results? Ever since Google purchased the video platform YouTube, it has been working to integrate it into its search system. As part of Google’s search engine, YouTube videos rank in Google searches for topics and keywords.
Search engines, including Google, cannot “crawl” video and images as they can with text. Having subtitles provides the text that search engines need to rank your video in their results. Video subtitles essentially act as a blog post within your video that tells Google what the video is about, and whether it matches the terms people may search for.


Instruction: Why subtitles are not working on YouTube

Response: This is usually a temporary problem because this YouTube bug is actually an internal issue. You can try to delete your Browsing History, Cache and Cookies. And afterward, shutdown and reboot your computer. Captions are not part of the video; it is an accessory from a different set of servers attached to the video.


Instruction: How can I watch YouTube with subtitles

Response: Launch YouTube.Find a video clip you want to watch on YouTube® and click on it.On the bottom bar, look for the “Closed Captioning” icon “CC” and click on it.If the video supports subtitles, a pop-up window will appear with options.Select the language and the subtitles will be displayed at the bottom of the video.